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My journey into photographic weavings began in November 2020 while I was taking an abstract photography class. A recurrent theme in critique was the linearity of my work. To push this further, I took out a pair of scissors and cut one of the images into vertical strips. Then, I took another image and cut it into horizontal strips. Finally, I wove the images together. Through this deconstruction and reformation of my art, I was able to view the images through a new perspective. I have been a photographer for more than forty years. I was formally trained at the Rochester Institute of Technology in narrative documentary and editorial photography with a minor in biomedical photography. To push the bounds of my printed work, I took a weaving class in February 2022 where I learned new methods of treating paper. I am constantly experimenting with new patterns and different papers.
I print my photography on a variety of different papers including fine art giclée, bamboo, matte, and metallic papers. Different papers lend themselves to specific patterns and perspectives. The act of weaving the images by hand is as important as the finished piece; I am able to set the tone of the art by the angles used and vary the abstraction through the thickness of paper strips. By treating my photography as textiles to be woven, I am able to weave my unique experience as an artist.